HOLDING SPACE ACROSS CRIP TIME

A series of conversations between Leah Clements and other sick/crip/disabled artists and art workers as part of her residency at Serpentine Galleries

  • Artist Rebekah Ubuntu (pictured), commissioned performance at Tate Britain, image courtesy of Tate London. Image Description: Artist Rebekah Ubuntu is performing in a white gallery space at Tate Britain.They are using Ableton software and a laptop. B

    REBEKAH UBUNTU

    Rebekah Ubuntu speaks with Leah Clements about creating and maintaining personal boundaries, taking control of their own narrative, and the themes of hope and reclaiming QTBIPOC histories that run through their work.

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  • Outdoor view of Refuge in the Means, Canaries, 2016 at Recess, New York. Image Description: Description: View onto an urban sidewalk and old-fashioned grey storefront. The storefront’s windows are occluded with red fabric. On the window to the left,

    TARANEH FAZELI AND CANNACH MACBRIDE

    Taraneh Fazeli and artist, K MacBride speak with Leah Clements about architectures of care, expanding ideas of access, disabled ‘elders’, and how these themes manifest in each of their practices.

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  • Still from Kyla Harris & Leah Clements video conversation (2021). Image Description: A screenshot of two people in conversation over zoom. Both are smiling.

    KYLA HARRIS

    Filmmaker, artist, writer and activist, Kyla Harris speaks with Leah Clements about the power of representation in relation to disability, making work accessible, the importance of disabled/crip community, and her recent reality-tv-style film made in collaboration with Lou Macnamara.

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Notes to Other Selves | with Susanna Davies-Crook, Alice Hattrick and Sophie Hoyle